You Can See Everything Is A Masterclass In Documentary Manipulation

If you have ever wondered where the line between genuine documentary and carefully crafted fiction lies, you need to watch You Can See Everything. Directed by Nathan Fielder and Lance Oppenheim, the film captures the final days before Elizabeth Holmes heads to federal prison. The premise is simple, but the experience is anything but, as Fielder eventually moves into the home of Holmes and her husband, Billy Evans, to document their lives in real time.

The dynamic between the filmmakers and their subjects is incredibly tense. Watching Fielder attempt to pin down the truth while dealing with the evasive, often bizarre behavior of Holmes and the hostility of Evans provides plenty of cringe inducing humor. You will find yourself laughing at the absurdity of the situation one moment, only to feel a strange, creeping sense of sympathy for someone as controversial as Holmes the next. It makes you wonder if you are being manipulated by the filmmakers, or by the subjects themselves.

As the film progresses past Holmes entering prison, it shifts into something much darker and more complex. The filmmakers are forced to adapt their narrative approach, resulting in an unpredictable exploration of the tech bro mindset and the ethics of documentary filmmaking. At nearly three hours long, the movie is a challenging watch that evokes a massive range of emotions.

Ultimately, You Can See Everything leaves you questioning the very nature of truth in media. It is an ambitious, surreal, and unforgettable film that forces the audience to consider their own role as viewers. If you enjoy stories that play with expectations and refuse to give easy answers, this is one of the most significant releases of the year.